No violence ensues, but from then to now humans and animals have not spoken to one another.

In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky.

In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake-until she is finally driven forth by Coyote’s awful wailing. One of the two has never been offered south of the (Canadian) border. Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations. Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa-the mother tongue. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is 'mutual understanding.' Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the 'language' lessons as the characters. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Tía Lola, however, knows a language that defies words she quickly charms and befriends all the neighbors. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.

How tía lola came to visit stay